Why the church needs the infertile couple
At the center of the remarkable montage near the opening of Pixar’s Up stands the sorrow of infertility.
On one side lie the joys of a budding marriage, and on the other the delights of its twilight. In the hour of crisis, Carl sees Ellie sitting in the garden facing the sun with a forlorn look, feeling the devastation of their joint barrenness. Neither character speaks throughout the montage, but here their silence is particularly apt: the wordlessness of grief weighs heavily upon them, and upon us. Relief begins when Carl, who is by no means immune to their sadness, places Ellie’s “adventure book”—which has many more pages in it for them to fill—in her lap. It is the most beautiful depiction of infertility I know of; it is among the most tender five minutes of film I have ever seen.